Newcastle Writers Festival 2017

It’s this weekend and I’m very excited. This is a cross post with my other blog Starving in a Garret and for us starving artists and lovers of literature there are a lot of free events. Actually, all the events I’m attending are free. Here is my selection:

Friday 7th April
11am to 12pm Yarn Spinners. A celebration of Dymphna Cusack, Florence James and Miles Franklin. Marilla North in conversation with Ann Hardy.

2pm to 3pm From the Page to the Screen. With Vanessa Alexander, Mark Barnard and Michelle Often. Host George Merryman.

Saturday 8th April
11.30am to 12.45pm Inside Publishing. With Meredith Curnow, Benython Oldfield and Geordie Williams. Host Jane McCredie.

2.30pm to 3pm Book Launch. Jan Dean will launch Magdalena Ball’s new book.

3.15pm to 4.15pm Book Launch. Judy Johnson discusses and reads from Dark Convicts her new book. Host Jenny Blackford.

4.15pm to 5.15pm Short and Sweet: Reviving the novella. Nick Earls in conversation with Chris Flynn.

Sunday 9th April
10am to 11am Time Travellers. Historians on their craft with Tom Griffiths and Grace Karskens.

11.30am to 12.30pm Drawn from Life. Poetry inspired by the everyday. With Eileen Chong, John Foulcher and Maggie Walsh. Host Jenny Blackford.

1.15pm to 2.15pm The Importance of Women’s Voices. With Emily Maguire, Sara Mansour, Tara Moss and Tracey Spicer. Host Jane Caro.

3.00pm to 3.00pm Crossing Boundaries. Jaclyn Moriarty in conversation with Emily Booth.

I can’t wait and I might see you at one of the many events!

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Casting the characters in your novel

Miriam Margoyles at the Newcastle Writers Festival

Miriam Margoyles at the Newcastle Writers Festival

Do you, I’m wondering? I’d love to find out what other writers do. I’ve written six novels now. Three are as yet unpublished and I’m starting the rounds next month for my sixth. Strangely though, I’ve only ever cast one of my novels with “real” actors as opposed to descriptions in my head and on the page. Why is that?

I’m not sure except to say that the only one I have cast, is set in contemporary times – 2004 to be exact and I don’t think that is a co-incidence. In Crossing Paths there are eight main characters and they all have approximately 20,000 words each, which is a lot of “air” time. My main character Jane Townsend is the beautiful but fragile Rose Byrne. I just couldn’t imagine anyone else playing the role although she is in her thirties now whilst my Jane remains (in the inimical way of fictional characters) still in her twenties. John Cusack is Jeremy Braithwaite. No-one else will do and the same goes for the psychic medium and retired librarian Ruth Moon. She is none other than the indefatigable Miriam Margoyles who was part of Newcastle’s inaugural Writer’s Festival and did a brilliant and very entertaining Catherine de Bourgh for the discussion panel (see pic above) celebrating 200 wonderful years of Pride and Prejudice.

When you are picking actors to play your characters I think it is essential to aim high. Don’t bother with B grade, inexperienced actors. Grab the stars and that’s just what I did for my characters, particularly Mary Darling. Mary has just changed her surname and decided to run her family home on Vancouver Island as a B & B at the start of Crossing Paths. She is an excellent cook and the perfect person to run a B & B – she just doesn’t know it yet as she is lacking self confidence. Now I know Meryl Streep likes a challenge. Here’s one for her! Play a woman who is shy and seriously lacking in self confidence! Not sure I’ve ever seen her do that!

In Cornwall a gay, New Age writer is looking for love and I pretty much envisioned Rupert Penryn-Jones in the role of Jonathan Fairlight. His widowed mother and new bookcrosser Daphne is not one of the eight main characters but I’m sure Helen Mirren would have fun with the role, particularly with her new friend Miriam Margoyles aka Ruth. Have they ever acted together? I don’t think so.

Now the last three characters I didn’t actually cast but that was because suitable actors, I believe, are in abundance for those three roles. A pretty Greek actress who has rudimentary English for Eleni, a sophisticated French actor in his late fifties for Pascal, a French biographer. And lastly a good looking, enigmatic African American actor in his thirties for Russell, a Boston bookshop owner. Too easy!

As for my other novels – my first I don’t think it entered my head to chose actors. It was enough to actually be writing. My second unpublished novel was peopled mainly with my ancestors so it was kind of impossible to make casting decisions. As it was I used my family tree to create the extensive family histories of both the Kittos and the Wearnes and as a result I have messed up my knowledge of actual facts. I’m no longer an expert on our family on my father’s side! Fact and fiction has been irreparably combined in my mind.

For my third unpublished book I was dealing with two sisters from two different times . Both sets of sisters – one beautiful and one plain were inspired by a photo of two sisters from the thirties and with these real women in my head, there was no way my mind was going to make the leap to actors. And I think that’s as it should be.

Likewise my first published novel, Tomaree was also inspired by real people so apart from studying the physical appearance of a real US Serviceman and creating a character around some aspects of him and making my female character a redhead, no one came to mind!

For my last novel, the recently completed manuscript of The Grey Silk Purse no actors have put up their hands. I’m of the belief too that it is often a good thing (particularly when the past is concerned) to let the reader reconstruct the appearance of characters. I’ve had a lively discussion on the subject with Matthew Ward of Mary Celeste Press as to the pros and cons of putting a real person’s face on the cover of a book. If there is no face, the reader can choose a suitable actor if they want to. Or they can decide on a full description in their head (from a few details supplied by me). Either works but it is fun as a writer (when it does happen) to play along with a real life actor, give them exciting action and dialogue and watch a novel spring to life with their help!