Beginning the long journey of writing a new novel

Posted on 19/06/2013 by Debbie Robson

Yes, I know, I’ve just finished my manuscript The Grey Silk Purse and have made my first submission but I’m nervous. As a diversionary tactic I’m researching a new novel. I even have a title – Paris Next Week.

I’m at the absolute beginning which is always exciting. I have a vague idea about the plot and I have the two main locations – Sydney and Paris in the 1920s. I’ve just picked up my first book to read. It is Women, the Arts, and the 1920s in Paris and New York edited by Kenneth W. Wheeler and Virginia Lee Lussier and even after a quick glance it looks like the perfect ticket. The ship hasn’t docked yet but I already have a list of books to take on the voyage and some of these books may even help determine aspects of characterisation and plot.

That’s the fun of researching. You read to learn about something new. It may be Serbia in 1917, Port Stephens in 1942, England in the middle ages and as you find out more information you often stumble across an amazing fact that alters your writing completely.

Originally at the very start of The Grey Silk Purse I had a vague idea that my main character would be a nurse in Salonika, although something nagged at me that this profession wouldn’t suit my Miss Summerville. I began reading about the Australian nurses working there during WWI and discovered that other Australian nurses were working in Serbia, of all places! When the Australian troops were sent to France a lot of our girls were sent to the little known Macedonian Front. I began to read about Serbia in earnest and very quickly stumbled upon the wonderful Olive Kelso King who drove an ambulance. That was more like it. This is what my girl would have been doing!

Through reading I discovered not only the beautiful and very important location Lake Ostrovo for my novel but what my character did during the last year of the war. I read six memoirs of women involved in the Scottish Women’s Hospital and I drew from their knowledge to set the scenes for the most crucial chapters in the book – the why and wherefore of life in a field hospital. I can’t imagine the completed manuscript without all these facts now common knowledge to me. I don’t reveal them all of course but they are crucial to a lot of decisions I made (or my character makes) during the course of her war work.

I now have an even greater admiration for the women who were involved in this terrible conflict. We often talk about Post Traumatic Stress Disorder. We can now see that returned soldiers from all major offensives were victims but how did the women cope? We know the men either ended up in asylums or drank excessively after both world wars but what happened to the VADs, the ambulance drivers and the nurses when they returned to civilisation? That question is the driving force of the novel and it’s one I really couldn’t have asked without at least the basic facts behind me. So happy research reading. You’ll never know what you may stumble upon!

Finding the right historical details

Posted on 25/04/2013 by Debbie Robson

I‘ve always believed, as the cliche says, that the devil is in the details. I love to seek out little known facts that can’t be found in historical accounts, newspapers and non-fiction works. Whilst writing my book Tomaree I interviewed upwards of 100 elderly people on their experiences of living during WWII. Most of them loved to chat and I wish now that I had had the time to talk to them about their whole lives, rather than just aspects of it. But unfortunately I was a single Mum working part time and I could only spend a few hours every fortnight or so up at Port Stephens where the novel was set.

Some of the stories I heard still resonate – the elderly lady whose mother, in the first years of the last decade, used to drive her pony and trap filled with home grown products from Anna Bay to Stockton, along a stretch of sand at low tide. Sometimes she got caught with the rising tide and a neighbour would have to mind my interviewee. Some time around the 1920s, I think, the sandbar was washed away after a massive storm and then the locals had to travel the long way around to Stockton or Newcastle after that.

There was also another Port Stephens resident who, as a young boy, remembered the American soldiers giving him money for ice-cream. I asked why and he told me it was because they hated all our small change, the threepennies, halfpennies etc that used to weigh down their pockets. “Here kid, go buy yourself an ice-cream.” You won’t find this fact in most non-fiction accounts of WWII involving Americans serving in England and Australia but some elderly people will remember that that’s what they often did.

As a novelist who is very interested in details such as these, I spend quite a lot of time hunting down such facts to make the past come alive. Interviewing people who have been there is a wonderful source of gems – such as a friend of mine’s uncle, a Rat of Tobruk, (he must be one of the last) who acquired a camera by trading with an Italian prisoner of war. When he got the film developed there were pictures of Rommel and his men. A case of truth being stranger than fiction.

I have sent my friend Gina, an oral historian in training, off with a list of questions. Not many of course as her uncle is 93 but I’m hoping she can get a few things down so his memories won’t be lost forever. This is one of the reasons I have started Starving in a Garret a collaborative workspace and sanctuary. One of the things I want to achieve is to find people interested in being oral historians and point them in the right direction. Recently a much loved GP died, I’m not positive but I’m guessing that most of the stories he could have told about being a doctor in Newcastle in the middle of the last century, have died with him.

I’m hoping to work towards building a team of oral historians that can interview people and compile a list of their memories of the local area (as well as details of their life of course) that can be donated to the local studies unit of their closest library. Memoirs and local histories are being written right now but I’m sure that there are wonderful, elderly people out there who are slipping through the net. I’m posting this blog to Starving in a Garret as well so please check there for progress on this project.

On Memory

Posted on 02/10/2011 by Debbie Robson

One of the things that drives me as a writer, my passion I suppose you could call it, is to recreate the past incorporating memories of those that were there or there through their parents’ recollections. It is very important to me to uncover these personal details that can make the past come alive – because not everything is recorded in history books.

Nine years ago I began interviewing many elderly residents of Port Stephens to help me understand what Nelson Bay was like during WWII for my novel Tomaree. This time I am writing about WWI so I am relying heavily on first hand accounts of people that of course have since died. Luckily, I have though, two helpers who are very much alive: Vera Deacon and Helen Marshall. Both have memories going back to the Thirties and Forties and as Mayfield didn’t change too much from 1920 until about 1935 or so, I am able to use a lot of those memories.

Vera Deacon is an island girl. She grew up on Dempsey and Mosquito islands – islands that no longer exist. (They have been covered in slag and turned into Kooragang Island). As a young woman she was always on the water rowing everywhere, along the channel, between the islands and to work at Mayfield. Her hands can be seen above – boatrower’s hands.

And Helen Marshall (who helped create the Mayfield walks) http://libguides.newcastle.edu.au/content.php?pid=251354&sid=2089250 has a prodigious memory going back to around 1933. Helen has been marvellous in helping me map out three walks that my main characters Miss Summerville and Adrian Langley take in my novel The Grey Silk Purse. We have had some wonderful discussions about Waratah House and Argyle House, two properties that have been demolished years ago. We have also talked about the colour of Platts Channel, the way a gate faced surrounding Argyle House, also the Black Wharf off Ingall Street and Shelly Beach (both long gone). I only hope I can do her and Vera’s memories justice.