The subconscious for me, as a writer, is like a treasure chest. I might have deliberately or “unconsciously” stored stuff away that over the years I’ve forgotten about. It might be, for instance, a note to myself to read a book that for the life of me, I can’t see at the present moment that I need to read. Or as in the case of The Night Garden a book my subconscious has chosen for me.
It might be a memory or a fact that stays with me but I don’t know what to do with. In the 1990s I was doing research for my third manuscript with the working title of the The Nightingales. It was set over a period of twenty or so years from 1914 to 1937. Somewhere amidst all the pages I read and photocopied, was an account of a WWII army captain (from memory) who was on leave and on his honeymoon. The tyre blew out on their car whilst they were driving to their hotel. His bride died at the scene and later he killed himself in his hotel room. A simple thing for him to do as he had with him his full service kit.
The incident was seared into my subconscious but I didn’t expect I would be able to do anything with it. After all it was years after the period I was researching and at that time I wasn’t writing short stories. It wasn’t until 2013 that a friend asked me for a short story for an anthology he was putting together. The incident of the dead captain came straight to mind. Here was my chance to finally put him to rest. From that short story has come a new character and what I hope will be a series of short stories that I’m currently working on.
My new enigmatic character has memories from the first World War. This week I needed some idyllic memory that a soldier could go back to briefly, before he moved on to the next world. What came to my conscious mind? A bluebell wood I visited somewhere in England in 1976. I did some googling but they weren’t the sort of images I was looking for and the bluebell woods weren’t located in suitable places either. It was then I remembered a card of a bluebell wood I saved from twenty years ago.
It was a painting. Early morning I’m guessing with a green path leading to a wooden gate and bluebells spilling over the foreground. The light is diffused, almost healing in its otherworldliness. The painting was perfect to help me set the scene in my writing and I am so glad I saved the card.
These days I am more aware of things like this. If I get a little nudge to really take note of something, I obey my subconscious and write it down in my notebook, bookmark the page or as I’m doing now incorporate it into my blog.
Here is another nudge from my subconscious. It occurred last week at the Art Gallery of New South Wales exhibition of The Greats from the National Galleries of Scotland. Yes, here were a lot of paintings I had seen in art books during high school. 70 incredible sketches, paintings and watercolours spanning a period of 400 years from the Renaissance to Impressionism. Out of all these amazing artworks what stopped me in my tracks? The modest watercolour above – A pool in the River Greta near Rokeby.
The first thing I noticed was how modern the watercolour appeared to my eyes. Amazing to think Cotman painted it over two hundred years ago! Why did it have such an impact on me? I’m sure it is not just because it appears very modern. Maybe the beauty of the location and the name – Greta? There is a Greta north from where I live. It is a beautiful spot too. I can keep on speculating but the why of it ultimately doesn’t matter. I trust my subconscious. I’m sure it has its reasons.
For a writer, anything can be grist for the mill. It is up to us to take note & to remember or to write it down or to save it somehow.
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Exactly! And if you don’t and attempt it later you miss something that you just can’t recapture.
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Lovely writing Debbie.
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Also I went to see the greats and loved this beautiful yet obscure art work. I am in need of the catalogue to remind me of all the pieces. I’d forgotten about this one until you wrote about it. Thanks.
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There’s an article on the net. I’ll see if I can find it where they showed his later work and evidently it was quite ordinary. The period during which he painted the one we saw at The Greats was evidently a time where he was painting with real inspiration.
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That would be great Debbie. I wanted to buy the catalogue last week but of course it was sold out. It would be good to see more of his work. I know that this work is probably minor in comparison but I was intrigued by its abstracted quality.
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Actually this article praises the work of that time and criticises later work. http://www.telegraph.co.uk/culture/art/art-reviews/9656592/Cotman-in-Normandy-Dulwich-Picture-Gallery-review.html
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Thanks Debbie. I read the scathing review. The critic was quite decisive in regard to his styles. I don’t know anything about this artist and I wish I could go back to the exhibition now and pay closer attention to the image.
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Thank you Kerri! Much appreciated
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I wish I could have spent more time with it too. There was a lot of people around the watercolour and as I moved away my friend send “the lines through it were interesting” I had only seen one line and not really taken it in. The image on the net is also not very detailed.
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I wish I had a subconscious like that Debbie. Love this post. That painting looks pretty lovely too.
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Thank you so much Sue! Never thought of my subconscious as something to be envied lol!
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You learn something new every day!!
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Lol!
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